Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also is father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring he began sculpting in high school using found objects.
The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas.
Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for a 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects” were selected by Art in Public Places in Orlando (2002-2003) and was on display for one year in the entrance to the Orlando Science center. The Highlands Museum of the Arts in Sebring Florida, has acquired for their permanent collection the “Red Hunter”, one of the heavy toys “Series 2008” sculpture, which has been installed in front of the Museum's Garden. The MOLAA, Museum of Latin American Art in Los Angeles, has incorporated one of Fiorda's “Square Series 2008” in their permanent collection, and was the recipient of “Auction 08: Contemporary ,Honorary Award”.
Fiorda links past and present, old and new, with a subtle irony and criticism. The works become a critical mirror for our post-Industrial society and its polluting daily activity. Fiorda’s works have found a key place in the great currents of Contemporary sculpture. Daniel Fiorda’s sculpture breaks up the logic of representation characterized by traditional Western-Art sculptures. His works are made with discarded metals assembled in a complex and busy structure that recalls a Neo-Baroque approach to art. The sculpture's material becomes a morphological generator of its figurative shape. As an archeologist, Fiorda captures the “presence” and the elusive meaning of each work of art, most lately with discarded remnants of the industrial world. Fiorda currently lives and works in Miami Florida.