Kang Chan Mo was born in 1949 in Nonsan City, Korea. He graduated from the Department of Western Painting, College of Arts and Chung-Ang University. He studied traditional Coloration at Japan School of Art. And as well studied traditional coloration in Tsukuba University, in Japan. He was Awarded 2013 Gold Prize at Salon Exhibition, The France beauregard castle Museum. Progressively fed by his background in history of art and steps of his personal experiences, and based on his belief in the being and a deep idea of purity, his painting puts us at the heart of the reign of nature, through atmospheres imbued with silence and peace, suiting the specialty of his sensitive and mental approach. In margin of aesthetical and accepted classifications, his perception is not satisfied by the surface of things, but endeavors to keep only the essential of the rendering. This approach cultivates the process of ellipse and strips his backgrounds from what is superfluous, with necessary distance in order to shape the shortcut that sharpens the presence.
Robert Gregory Phillips was born in 1955 and is a contemporary American artist. He works in a broad range of media including painting, photography, drawing, collage, video and code art. His paintings are in corporate and private collections in the USA, Korea and China. He holds a Bachelor of Science in Painting from Troy University, Alabama. Abstraction, realism, impressionism, minimalism and color field are among the influences of his art.
Robert's work considers the dualities which encompasses an authentic life inspired by the spirit. Deeply connected to poetry and the tranquil essence of nature, Robert discovers unique patterns and colors to reveal his inspiration drawn from people, history and underlying simple, everyday moments. His paintings explore a unique color pallet which is at times soft and vulnerable and at others frivolous and chaotic. Both drawing upon the pureness of the moment which evokes a raw, elegant and modern feel.
Roh Jae-soon began to draw from the early days. Sometimes he drew the whole body, but mostly focused on eyes and faces. This collection of the lip work has its significance in telling the story of the world. The moment the artist commits the photographed lips to the canvas, the atmosphere and message of the art work are determined. For instance, tight lips express the absence of communication, and open lips the carpe-diem kind of gaiety. Depending on the expression of the lips, some lips suggest hope for the future, and only the lips are highlighted. Roh expresses the lips in various ways. Looking at the works of Roh Jae-soon, we can feel many stories being told through just one simple element: the mouth. Roh refuses to let daily life slide by, incorporating elements of sympathy into his paintings. If the sentence inscribed in the wall becomes a sentence, the lips on the canvas will tell stories as if they had become a reporter. We can hear the cry of the times through Roh Jae-soon’s canvases, embracing the stories of the world. The lips drawn on the canvas are about to tell a story. Roh's drawing's are not simply the lips, but the ‘expression’ of the lips.
Bassmi Ibrahim has chosen a life in abstract painting to give access to a space beyond words. Rather than representing the outer shape of the world, these paintings express the fluid dynamism of all life. His work is a dance in between the artist and the medium allowing both intuitive fluidity and disciplined control.
In the studio the white canvas is contemplated in meditative silence, enabling Bassmi to enter into a special plateau of his inner being. The image shows itself like a light unfolding over the surface of the canvas. Each work is totally spontaneous and usually made in a single session of several hours and then revisited numerous times to add layers of depth and tonal value. He uses diluted oils and synthetic varnishes to create moving forms in translucent layers of color. The painting is totally alive during its creation, combining freedom of movement with an innate sense of aesthetic balance. The beauty and subtlety of what takes shape can only come from deeper layers of the inner self.