Lilac Gallery New York is pleased to present “Inspired Duality” an exhibition of works by Robert Gregory Phillips, of oil and acrylic pieces considering the dualities expressing an authentic life inspired by the spirit from July 27 to August 17, 2017.
Robert Gregory Phillips was born in 1955 and is a contemporary American artist. He works in a broad range of media including painting, photography, drawing, collage, video and code art. This latest collection of pieces remains to focus on his individual theme of spirituality but has progressed into a heightened form of expression. Robert considers the dualities which encompass an authentic life inspired by the spirit. Deeply connected to poetry and the tranquil essence of nature, Robert discovers unique patterns and colors to reveal his inspiration drawn from people, history and underlying simple, everyday moments. His pieces consistently portray a reflection of four main elements: Fire, Wind, Earth, Water. Focusing on achieving pulling these elements together to translate his emotional ties with the seasons of nature and the sun or the moon.
Through his use of color, texture and brush stroke, Robert vibrates the viewer with these strong emotional ties that he so longs to connect with nature and the spirit of the all-encompassing earth. This plays a primordial role when appreciating one of his creations. On this latest collection of his works, he explores a unique color pallet which is at times soft and vulnerable and at others frivolous and chaotic. Both drawing upon the pureness of the moment which evokes a raw, elegant and modern feel. His works are in corporate and private collections in the United States, Korea, and China.
Holding a Bachelor of Science in Painting from Troy University, Alabama, abstraction, realism, impressionism, minimalism and color field are among the influences of his art. He currently lives and works in Texas creating his pieces in his studio near nature.
August 10 to September 7, 2017
- PRESS RELEASE -
Lilac Gallery New York is pleased to present “Behind Façades” an exhibition of works by JM Robert, from August 10 to September 7, 2017.
Ruins and damaged walls of big cities full of rough-cast, bits of tags and old posters fascinate him and became the source of his inspiration. What is the passage of time? What is left of our presence in a place? What trace do we leave of our passage on earth? These are the questions that artist JM Robert raises in his works. There are sad, joyful, sometimes distant looks. But these faces are always in the hope of something, a trace of life in a chaotic setting as in Pompeii or Hiroshima, Robert wants to represent the shadow of these figures. He picks up these feminine faces from everyday life, in his opinion, they bear witness of our time.
Scarcely evoked, the facial features are already vanishing. It seems that the faces were sketched, but did not have time to be completely formed. It is also a trace of an anonymous passage, a presence that is fragile, precarious, and always feminine. His abstract backgrounds of bright and flashy colors contrast with the black graphic by which he captures characteristic expressions of female faces. On his canvases, colors burst into a myriad of fragments that no longer manage to find their meaning to take shape. The use of vivid colors often help to classify his work in the category of pop art but he crosses the boundaries of style to create pieces which exude a timeless emotion, bridging classical and contemporary, creating a completely unique style of his own.
Lilac Gallery New York is pleased to participate in Affordable Art Fair at the Metropolitan Pavilion on September 13 - 17 for the fall edition 2017. Please join Lilac Gallery as we show in Affordable Art Fair NYC – an art fair dedicated to discovering incredible new artists and contemporary artworks, and experience hands-on workshops, talks, and tours with fellow art lovers.
This year we will have a great and inspiring collection of works to be announced soon.
Lilac Gallery New York is pleased to present “Incidental Expressions” an exhibition of works by Roh Jae-soon, of a stunning collection of oil paintings depicting a beautiful woman's lips done in a photo realistic style.
Roh Jae-soon began to draw from the early days. Sometimes he drew the whole body but mostly focused on eyes and faces. This collection of the lip work has its significance in telling the story of the world. The moment the artist commits the photographed lips to the canvas, the atmosphere and message of the art work are determined. For instance, tight lips express the absence of communication and open lips the carpe-diem kind of gaiety. Depending on the expression of the lips, some lips suggest hope for the future, and only the lips are highlighted. Roh expresses the lips in various ways. Looking at the works of Roh Jae-soon, we can feel many stories being told through just one simple element: the mouth. Roh refuses to let daily life slide by, incorporating elements of sympathy into his paintings. If the sentence inscribed on the wall becomes a sentence, the lips on the canvas will tell stories as if they had become a reporter. We can hear the cry of the times through Roh Jae-soon’s canvases, embracing the stories of the world. The lips drawn on the canvas are about to tell a story. Roh's drawings are not simply the lips, but the ‘expression’ of the lips.
More information following soon.
KANG CHAN MO
Kang Chan Mo was born in 1949 in Nonsan City, Korea. He graduated from the Department of Western Painting, College of Arts and Chung-Ang University. He studied traditional Coloration at Japan School of Art. And as well studied traditional coloration in Tsukuba University, in Japan. He was Awarded 2013 Gold Prize at Salon Exhibition, The France beauregard castle Museum. Progressively fed by his background in history of art and steps of his personal experiences, and based on his belief in the being and a deep idea of purity, his painting puts us at the heart of the reign of nature, through atmospheres imbued with silence and peace, suiting the specialty of his sensitive and mental approach. In margin of aesthetical and accepted classifications, his perception is not satisfied by the surface of things, but endeavors to keep only the essential of the rendering. This approach cultivates the process of ellipse and strips his backgrounds from what is superfluous, with necessary distance in order to shape the shortcut that sharpens the presence.
Bassmi Ibrahim has chosen a life in abstract painting to give access to a space beyond words. Rather than representing the outer shape of the world, these paintings express the fluid dynamism of all life. His work is a dance in between the artist and the medium allowing both intuitive fluidity and disciplined control.
In the studio the white canvas is contemplated in meditative silence, enabling Bassmi to enter into a special plateau of his inner being. The image shows itself like a light unfolding over the surface of the canvas. Each work is totally spontaneous and usually made in a single session of several hours and then revisited numerous times to add layers of depth and tonal value. He uses diluted oils and synthetic varnishes to create moving forms in translucent layers of color. The painting is totally alive during its creation, combining freedom of movement with an innate sense of aesthetic balance. The beauty and subtlety of what takes shape can only come from deeper layers of the inner self.